مشروع البحث: سمات الواقعية الايطالية في الفيلم السينمائي الليبي
| dc.contributor.advisor | د.صالح مسعود | |
| dc.date.accessioned | 2024-12-26T08:46:51Z | |
| dc.date.available | 2024-12-26T08:46:51Z | |
| dc.description | There are things in common in all Libyan realistic films and that they present the economic problems suffered by the Libyan society and the misery experienced by the young people by using the simple and frequently used dialogue used by people and filming in real areas even if the producer is able to build a décor similar to nature , filming was carried out in public areas , in the streets and in alleys to gain credibility in conveying the event in a profound and influential manner , it did not use cinema tricks in editing (montage) nor in the movement of the camera nor in the lighting , filming in natural light , also they preferred the use of general and long shots and | |
| dc.description.abstract | when studying the Libyan art of cinema the researcher noted that there are some historical and social issues dealt with in the concept of real Italian cinema in the fight against colonialism , ignorance ,poverty and unemployment and these films received good reviews among the public. and therefor the researcher went on to study the form , content and the topic of the Libyan cinema and its relationship with the artistic content of the Italian realism because of its role and reflection in accepting and addressing social problems , the problem was presented in the shape of the following question: | |
| dc.identifier.uri | https://dspace.academy.edu.ly/handle/123456789/955 | |
| dc.subject | سمات الواقعية الايطالية في الفيلم السينمائي الليبي | |
| dc.title | سمات الواقعية الايطالية في الفيلم السينمائي الليبي | |
| dspace.entity.type | Project | |
| project.endDate | 2023 | |
| project.funder.name | الاعلام والفنون | |
| project.investigator | انور فرج التير | |
| project.startDate | 2022 |